2019
· During April, O V E R C O M I N G C H R I S T I N A sounded on ZenoPress online magazine.
· During March, O V E R C O M I N G C H R I S T I N A sounded randomly among other sound works on the RADIO SPACE of the BOREALIS FESTIVAL of experimental music in Bergen, Norway. > http://www.borealisfestival.no/radio-space-2/
· In January, SYMPTOMS sounded as an stowaway poem at the hall of a giant tech’s store in the US in a saxophonist’s free improvisation live gig while a painter was presenting a new tablet.
2018
· In November, O V E R C O M I N G C H R I S T I N A was presented for the first time as a quadraphonic sound installation at Display Gallery, Prague. > https://www.eliningu.com/installation
EPISODE 3
PLOT - In a climate of confusion, two AI devices working for the Corporation try to communicate. While she is trying to express the anxiety she is feeling due to an apocalyptic threat coming from the outside world, her male colleagues won’t be never able to understand what she is saying, taking for granted that her feeling is overreacted, an exaggeration.
EPISODE 4
SYMPTOMS
PLOT - An ex-middle manager of the Company takes a train to escape from the city and he can't help but breaking down and explain to a stranger some of the plans the Company pretends to implement.
EPISODE 2
O V E R C O M I N G C H R I S T I N A - zeitgeist for 4 voices & field recording
PLOT - A writer is thinking about writing a science-fiction novel about a journalist asking to a lonely relative of someone who has been hit by a self-driving car whether if she or he thinks that that fact is or not a product of an holographic simulation while, at the same moment, a neuroscientist says that time cannot be perceived as a river anymore.
THE WINDOWS ARE SCREENS
- A science-fiction radio drama -
During the year 2024, several employees from a third-party multinational company
that offers costumer care services to IT companies see themselves drowned in obscured
processes witnessing phenomenons that cannot comprehend and that will change
the direction of their lives.
The Windows Are Screens and The Screens Are Windows. This is a film that can be seen without a screen. The images are train wagons with no beginning and no
ending. Defending their commodity of symbols. Fleetingly riding the hidden side of our eyes. And the driver is Invisible.
> THE WINDOWS ARE SCREENS is the result of live experiences and observations that later started to shape as a part of the Sound Art master’s project on The use of neurotechnology by corporations and how the Internet affects our brain unconsciously (University of Barcelona, 2018). This project is still not finished.
> In THE WINDOWS ARE SCREENS is used as less technology as possible: human voice, online voice generator, field recording, microphone, sound card and laptop.
