Music Text Synth Noise
Musician, poet / sound-poet and sound-artist (Master in Sound Art at the University of Barcelona)
from Barcelona / currently living in Berlin
Working at intersections and non visible transversalities
Unorthodox
Hybrid
Contact
Sound-poetry
2019. May: The sound-poem O V E R C O M I N G C H R I S T I N A · zeitgeist for 4 voices and field recording was sounding on Zeno Magazine. London, U.K.
2019. March: The sound-poem Friday was chosen as OST by the avantgarde and experimental New York’s filmmaker Larry Gottheim for his film KNOT/NOT premiered in Berlin, Brussels, London and Paris, including screenings at Berlin’s Arsenal Institut für Film und Videokunst, Paris’ Center Georges Pompidou and Saint Merri’s church. It has also been screened at the Binghamton University in New York, Light Matter Film Festival, New York, EXiS2020 Film Festival in Seoul, South Korea, Close Up Film Center in London or MUBI.
2019. March: The sound-poem O V E R C O M I N G C H R I S T I N A was sounding on the Radio Space during one month at the Borealis Festival of Experimental Music. Bergen, Norway.
2019. January: The sound-poem Symptoms was sounding in a live gig of the free jazz and The Psychedelic Furs saxophonist Mars Williams at the Apple Store. Chicago, U.S.
Installation
2018. November: Quadraphonic sound installation O V E R C O M I N G C H R I S T I N A · zeitgeist for 4 voices and field recording. Display Gallery. Prague, Czechoslovakia.
2017. May. PNG/PNG along with artist Anna Irina Russell for the sound-art exhibition I used to see. Convent de Sant Agustí, Barcelona.
2017. March-april. Festival Mixtur. Contributor to the sound installation Cant de Calderes. Fabra i Coats, Fàbrica de Creació, Barcelona.
Radio
2020. October. Podcast for AMPLIFY BERLIN and Reboot Radio FM They are working on new doors (compilation of sampler sound pieces). Berlin.
2020. July. Contributor to RàdioWeb MACBA (radio of the Museum of Contemporary Arts of Barcelona) as script-writer: extended interview to avant-garde composer Jennifer Walshe.
2016, November. Collective improvisation with Baschet instruments for Radio Valparaiso, Chile.
2014. October-November: Radio Gràcia, Barcelona. Contributor at Música i geografia radio show. Radio host and musical selector.
2014. November: Radio Gladys Palmera, Barcelona. Musical selector for LEM, Festival of Experimental Music of Barcelona.
Residencies
2020. October. One month residency at AMPLIFY BERLIN with mentor Einstürzende Neubaten’s Jochen Arbeit. Berlin > INTERVIEW for Digital in Berlin
2017. February. Three weeks residency at L’Estruch, Fàbrica de creació. Sabadell, Barcelona.
Soundtrack / Film
2019. OTS contribution to the film KNOT/NOT by the US avant-garde filmmaker Larry Gottheim.
2001-2002. OTS contribution to the short film Águilas by the Italian artist Guido Dettoni.
Lectures
2018. November. The Mysterious Case of the Invisible Third Meme on how the Facebook algorithm could create semantic deformities and tribulations about mental privacy (extract of the research project The Windows are Screens - The use of neurotechnology by corporations and how the Internet affects our brain unconsciously) at the Rage Against the Algorithm symposium organized by Charles University Philosophy Dpt. Display Gallery. Prague, Czechoslovakia.
Releases
2021. October. Single Ship of Fools (self-edited). The song was chosen for the trailer of the exhibition Rembrandt’s Orient about the Dutch master in that same year in Museum Barberini, Potsdam, Berlin.
2020. September. Sound piece for Sónar Festival Sónar+D and Sound Art Master of Universitat de Barcelona Recorded Thoughts (self-edited).
2020. May. Sound-poem Friday (self-edited).
2020. May. Sound-poem I have a feeling (self-edited).
2020. April. Sound-poem + extended version Am I still somebody? (self-edited).
2019. November. Noise piece If I finally dare to sublimate myself [where do I release my sublimation] or What happened to the water? (self-edited).